Read Part One of the Strange Case of the Visage-Livre.
[From the personal notebook of Sub-Inspector M. Horkheimer, assigned to Inspector T. A. Weisengrund]
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Inspector T. A. Weisengrund |
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“The Visage-Livre is dangerous. It asks a person to act, write, and communicate with others through their portrait, drawn by the Visage-Livre itself. This takes away any breath of freedom that a person might have. Those people in London died not because of having their portrait drawn, not for the amusement of the Visage-Livre, but for having invested all of themselves into this other place where they are not."
Inspector Weisengrund was mad -- he spouted this out. He and Walter Benjamin had been arguing all day. I still did not understand why we were in this strange library, and I still do not.
Benjamin had been stating that something else, other than the Visage-Livre was to blame for the deaths we investigated. He pointed to the Ecclesiast’s theory of a self-consuming book. That the Visage-Livre does not create a space for escape since it is constantly destroying itself, pulling the ladder up from the ground and closing the doors to all who come. Benjamin saw this new device as a welcome way to stir people to action, to connect them throughout the Empire to find new ways of living together. He took a view that the Inspector could only deny.
“You are insufficiently dialectial and cannot detect the true danger of this technology. Just as it seems to increase democracy, it actually undermines it. It makes the participant a mere recipient and consumer, it makes him or her out to merely rest and accept. This Visage-Livre trains its participants to accept authority. It readies them for a strong leader. This is not the beginning of freedom. It is the beginning of barbarism."
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We left this library and its occupant. Benjamin still pledged friendship to the both of us. But we still had to discover those who began this strange book of face. It seemed that we needed to investigate the German company whose Paris branch had started it. We needed to visit the offices of the Kulturindustrie.
[Continue to Part Three]
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