Sometime near the End of A.D. 1899
To the Magus and the Ecclesiast,
The steam-powered cider mills along the shores of Lake
Ontario had ceased their churning, and the foliage, once transfigured by the created
fires of the autumn, had since cooled during the descent into ice and
winter. But the visitations of the (un?)-dead have not relented.
Neither had the sleepless nights spent listening to their ungodly
shuffling of feet beneath the panes of my parsonage (I no longer glimpsed their
ghastly visages peering through the leaded glass – I had blacked them out as
with sack cloth desperately hoping for repentance in the midst of this
Nineveh). It felt as if time
itself were slowly disintegrating, as if caught in the midst of a living Limbo
– and as their numbers swelled, I could not believe death had undone so many,
nor left so many so restless in their sleep, with an insomnia that now kept
awake the living.
Shortly after my encounter with Captain Priest, I returned
again to the public house (before, of course, the now routine hour at which the
former communicants of the parish gathered outside the doors of the church – we
had begun to establish such circumstances as predictable and regular), praying
an extra pint would provide the rest that extra prayers had promised and left undelivered.
I approached the man, and discovered that as he lifted his
eyes from beneath a wide-brimmed hat, that he was of indigenous heritage. I asked him of his tribe, and with
great sorrow in his once fiery eyes now black as spent ash, he told me he
belonged to the Paiute of the north.
I asked him his name. He
told me he had once been renowned as Wovoka, the “wood cutter.” But I could call him Jack. Jack Wilson.
I must confess, I nearly regurgitated my ale in the
venerable one’s face, for while my days had not hardly been short on wonders as
of late, I could scarce believe whose table I shared. Wovoka, I repeated.
Of the vision of the eclipse.
The one who was struck by the shell of a shotgun and yet lived. Wovoka, of the Ghost Dance?
I was once, he muttered, but please, Jack is all now. Wovoka controlled the weather. Wovoka levitated above the ground. Wovoka saw visions of the great Messiah
in the darkening of the sun. Jack
Wilson is what is left of him today, and I wander the land, sometimes searching
for Wovoka…but more often, searching for a way to escape the haunting of his
shadow.
We talked then for some time. Of his upbringing in the great western country, and of his
upbringing in the faith and devotion to Christ, apostles among the Lakota, and
of his vision in 1889, the vision of the rising of the dead and the restoration
of the land to its original inhabitants by the Messiah. And of course, of the Ghost Dance.
Surely, gentlemen, you have heard of this, even in the far
reaches of the world? The five-day
time of fasting, purification, of communion found dancing in the round that
sought to unite in mystic catholicity the diversity of native peoples and their
deities under the One great spirit, and so bring about a jubilee of justice and
shalom for those oppressed by the wrongs of our own ancestors? Surely, you have heard of Wounded Knee,
and the massacre of the Lakota there, for practicing the dance, in defiance of
the Bureau of Indian Affairs?
If I sound excited, it is because, as you have probably
already rightly guessed, I have been present at such a dance. Never dancing myself, not out of
conviction, but more so out of the embarrassment of my own Teutonic
heritage. To see the veil between time
and eternity, between the living and the dead, between the peoples we call
pagan and the people we call the communion of saints, so thinly stretched that
at any moment, righteousness and justice seemed ready to pour down like a
mighty stream of heavenly fire upon the earth…who could fail to be moved? Who could fail to forget?
The Alpinist, apparently. For, as marvelous a thing as it was to meet the Wovoka, now once more cloaking the
shame of his failed messianic expectations under the moniker of his youth,
himself a kind shade lost and wandering in the wasteland of our industrial
present, I was suddenly struck by the providence of our meeting. For the teaching of the Ghost Dance was
the anticipation of the Second Coming of the Messiah, and in it was enacted the
rising of the dead. The dancing,
the summoning of spirits…the literal intertwining of our Christian hope with
theirs. A purer reflection of the
current state of ghastliness now gripping my parish.
My beverage remained in my mouth this time, despite my great
agitation, but as I reared up to share my revelation with the shaman, he was
gone. Vanished, as if he had never
existed except on the margins of sight, as something glimpsed on the corner of one’s
vision while rapidly passing on a steam train. I wonder to the day of this writing if I truly met Wovoka,
or if he was himself a kind of vision, the last echoes of the Ghost Dance
playing themselves out in an insomniac’s tenuous and failing grip with time and
space.
But, dear friends, Mr. Wilson’s legacy, his Ghost Dance,
plays like the score to this strange opera of horror, making possible narrative
and music where previously there was only speculation and ballyhoo. Is there perhaps something to the
presence of these walkers of the night, tied to our own Ghost Dance, the
rhythms of our liturgies, of the Eucharist – our bringing of a body long dead
and risen back into the cadences of the temporal? Has it been a narcissism of grave consequence to assume that
the dead are seeking us, seeking our harm?
Perhaps the dead seek something else…perhaps they seek, not
our undoing, but their reconstitution.
Restless, like the native spirits, after a half-century of warfare,
death, unprecedented technological progress and unbearable social disintegration
and upheaval – horrors of our own making, come back to be horrors upon the
future? Perhaps it is not a sign of condemnation upon us, but the stirrings of
a longing for communion with us.
Might this explain their clustering at our doors?
I decided to test my hypothesis, and so called upon the
Christians of my parish – all sorts mind you, even the Romans – to gather the
next evening for an ecumenical mass.
The terrors of the night had become such that even members of the
Salvation Army, and some Latter Day Saints, darkened our doorways. I made sure all arrived while it was
still day, and made sure the liturgy would last through the setting of the sun.
Little did they know that I was conducting them through a kind of Ghost Dance
of our own, gathering the many into one, under the One who gathers all.
As I suspected, as darkness fell, the walkers arrived for
mass. The doors were locked and
bolted, and you can imagine the minor panic that arose among the frightened
worshippers when, while sharing the peace, the restless dead began clawing and
pushing at them. Steeling myself
against the pangs of my own terror, I called my deacons together and instructed
them, at the moment of the final communicant’s partaking, to throw open the
doors. I then gathered the people
together, arranged us in one great circle (I told you, it was our Ghost Dance
after all) and began the dialogue.
The banging and clatter continued their crescendo.
Have you ever said the words, “this is my body, broken for
you,” as broken, undead bodies clamor at your gates? Perhaps you have, for perhaps these are the circumstances at
every Eucharist, if we are honest with ourselves. I am in the habit of incorporating the words of St.
Augustine (who I would not have been surprised to see among that crowd of
deceased discontents) into my Eucharistic prayers, his own declaration,
uplifting the Host, to “behold what you are, become what you receive.” There were the bodies of the living,
and yet, the undead body of Christ, divided and rent. There were the bodies of the dead, restlessly alive, seeking
admission. There was the
church. There was the end.
The doors were flung open at my appointed time. The people were already seated and
calmed, as if the familiarity of the liturgy and its timeless beauty had
soothed them into a welcome escape.
And so came my final communicants.
They thundered down the aisle, desperately loping towards me, and to
recall the grim details of their eyes (or lack thereof), their mangled corpses,
would make even the most stalwart leprosy doctor vomit and cringe. And yet, as the living fainted and
wailed, the dead came to the altar.
And the marvel, which I am sure you will deem a sign of my
insanity: as each grasped the host and brought it to whatever passed as lips –
they scattered. Into dust. As if the weight of the thing simply
caused them to collapse.
Like snowbanks perched tenuously on the edge of a rooftop, blown into
powder and dissipating in gaslight.
I swear upon my oath of office and my ordination vows. And within a half hour, the last of the
walkers walked no more. And the
Ghost Dance was ended.
Surely, brothers, it will take some time for you to read
this story, perhaps longer to convince yourselves I am not fabricating it or
that I have not lost my mind, and perhaps, even longer still, to come to grips
with its mystery. I myself have
scarcely begun to unravel it. Nor
do I think I should write to Captain Priest, for example, and suggest that the
remedy to all such hauntings is the shamanical admistration of the Eucharist –
she is not that kind of Priest, after all.
I am still amazed and puzzled, and perhaps ever shall be, by
the restless dead, called up into restlessness out of the desire for rest. Why it took Wovoka, and not Augustine
or Luther or some other shade of my own past, to re-incorporate my own zombied
memories and bring them back to the harmonious rhythms of the circle and the
time-keeping that is liturgy. Why
it is in this age that Irish pagans and Paiute and Lakota and airship captains
and adventurers freely glimpse beyond the veil of the finite, while the
enlightened among us wallow in terror our rationalities are helpless to
alleviate. Why it happened now,
and what it means for us all at the closing of the age this century has
wrought.
So for now, silence.
As the scraping of hands and the moaning of the dead gives way to the
softness of falling snow, so must these words cease, and must I at last, after
many weary nights, receive with gratitude the gift of a good night’s
sleep. Ponder with me, in the meantime
my friends, the meaning of these events.
And for God’s sake, if you haven’t recently, do your un-dead bodies a
favor, and get thee to a Eucharist.
Grace, peace and all my love,
The Alpinist
Very cool....
ReplyDeleteHow many ways to I love this? Let's see: steampunk (duh), theology (again, duh), Cherie Priest, Native American prophesies of Christ, and zombies.
ReplyDeleteYup. You pretty much rock...